In September, 2019, I had the great pleasure of visiting the Festival mondial des theatres de marionettes in Charleville-Mezieres, France. Here are some reviews.
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- Steve Capra
La poussiere et la couronne
La poussiere et la couronne (Dust and the Crown) is paper theater, presented by the company Yase Tama and its writer/director Zahara Sabri. Its paper puppets are animated by two puppeteers dressed in black (Saeed Abbak and Fahimeh Barotchi) seen against the endless, backless black of the stage. An actor voices the recorded text. The paper puppets - full figures, profiles, crowns - are connected to a grid of elastic bands on the floor, and this grid itself becomes a sort of puppet when the puppeteers raise it at the end. It’s all meticulously lit.
The story concerns ambition, murder and power, and there are many references to Hamlet and Macbeth. I missed a lot of the French, but there’s no mistaking the recurrent phrase, spoken with grief and resignation: “Je suis mort”. What’s more, there’s no mistaking the Shakespearean allusions. How could anyone mistake Ophelia or the Hamlet’s poison cup? Sometimes the puppeteers become the characters, speaking themselves
The stage picture is eerie and expressionist, and the entire effect of Dust and the Crown is one of sad, world-weary resignation, enhanced by the delicacy of the puppets. Great, creative work! - Steve Capra September 2019
Old Trout Puppet Workshop (Canada) treats us to a mostly wordless piece called Famous Puppet Death Scenes . It consists of perhaps 16 short, unrelated vignettes in a puppet proscenium, each about two minutes long and each depicting the oh-so-tragic death of a puppet. E.g.: - In a recurrent motif, a poor fellow at the opera is repeatedly pummeled by a huge fist, as much as he tries to avoid it; - An innocent boy is lured into a villain’s home by a lollipop - and eats the evil old man; - Puppets (puppets of what?) on a German game show have to choose the Ja door or Nein door - and either way, the ogre eats them; - In a crowning jewel, an old woman returns home to find her husband’s suicide, so she shoot her self; her son comes home and sees what's happened and then shoots himself; his son comes home and does the same; the old husband comes home and we see that it's all been a trick; the old lady comes to life and sees her living husband and shoots him, an
Photo: Charleville-Mezieres = La potion de reincarnation ( The Potion of Reincarnation ) is a brilliant puppet show from Jin Kwei Lo Puppetry Company (Taiwan), directed by Cheng Chiayin, presented in Chinese. It’s absolutely a masterstroke of puppetry. In Buddhist-Taoist mythology, a soul is reborn only after meeting Old Lady Meng and drinking from her cup of forgetfulness. In this play, a woman is reincarnated three times without finding happiness. The show begins with fingers as shadow puppets, and the sort of classical Chinese music that’s like the sound of nature. But mostly the puppets are small, delicate hand puppets elaborately dressed. The puppeteers dress them on stage with ritualistic, meticulous care. What’s more, there’s intermittent singing throughout. We can see that this is a ceremony . At one point, a puppeteer tosses a hand puppet and another catches it just by just placing his hand under the mitt as it falls. Some scenes are spooky, heavy with shado
Every second year for ten days in September the small Renaissance city of Charleville-Mezieres in northeastern France hosts Festival mondial des theatres de marionettes - The World Festival of Puppetry . You don’t know what it means to be festive until you’ve come to this event! The town is filled with people of all ages - many senior folks, and always sober - enjoying the cornucopia of puppetry events spread out before them. It’s terrific, with shows, internships for children, workshops for puppeteers, street performers - everything a festival needs! The 2019 event was the 20th biannual, and I was lucky enough to be there with my critic’s notebook. The opening event was Place des anges , a pageant presented in the beautiful old town square. Brightly lit acrobats - white angels - dropped white feathers on the crowd. Angelic indeed! It was marred only by the hyper-amplified base of techno-music or whatever it was. Aside from the scheduled performances, the streets of